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FRIENDS are those who helps us like in studying, playing games and if got hurt they’ll always lead a HELPING HAND. Without FRIENDS our LIFE will be DULL.  our FRIENDS who can go to the extend to save and respect our FRIENDSHIP. 




SPORTS. Sport in America began as premodern participatory contests of strength, skill, and speed that were unorganized local competitions with simple rules. However, as the nation modernized, sport became highly organized with formalized rules and national competition. Sport became commercialized with expert athletes entertaining paying spectators.

The first sportsmen were Native Americans, who competed for religious, medicinal, and gambling purposes. They had running races, but were best known for team ball sports like lacrosse, which had over forty variations. The colonists defined sports broadly to include all diversions. Colonial amusement reflected their European backgrounds, including social class and religion, and their new surroundings in America. Puritans brought their opposition to pagan and Catholic holidays, Sabbath breaking, and time-wasting amusements. They barred brutal sports, gambling games, and amusements that promoted disorder, but advocated useful activities like wolf hunting, fishing, and training-day (military practice) contests like wrestling and marksmanship. The more heterogeneous colonies had more options. New York, with its Dutch heritage, had bowling, kolven (golf), and boat races, and also horseracing after the English took over the colony in 1664. In Philadelphia, control of the community passed from the Quakers to a secular elite who in 1732 tried to separate themselves from lesser sorts by organizing the Schuylkill Fishing Colony, the first sports club in the British Empire.
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The South had the most expansive sporting culture. The Anglican Church was more tolerant than the Puritans were, and personal ethics did not prohibit gambling or blood sports. An elite planter class emerged in the late seventeenth century, which tried to emulate the English

country gentry. The great planters originally raced their own horses in impromptu quarter-mile matches and wagered enormous amounts with their peers. By the mid-eighteenth century, they were starting to import expensive Thoroughbreds that competed in long distance races at urban tracks established by elite jockey clubs. This public entertainment helped demonstrate the supposed superiority of the great planters over the masses.
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Publicans throughout the colonies were the first sporting entrepreneurs, sponsoring animal baiting, gander pulling, fights, skittles (an early form of bowling), shuffleboard, and target shooting to attract thirsty patrons. Moral reformers, particularly evangelical ministers of the Great Awakening, opposed these sports. During the Revolution, many patriots frowned on gambling as unvirtuous and elite sports as aristocratic. The Continental Congress in 1778 recommended that the states suppress racing and “other diversions as are productive of idleness and dissipation.”
Antebellum Sport

Sport in the first half of the nineteenth century remained premodern, abhorred by proper Victorians who frowned upon it as immoral and wasteful. The sporting fraternity encompassed a male bachelor subculture, including segments of the elite, skilled butchers, street thugs, volunteer firefighters, and Irish immigrants. They enjoyed blood sports, combat sports like boxing (which was universally banned), and gambling sports. Southern plantation owners employed slaves as trainers, jockeys, boxers, and oarsmen.

The leading antebellum sportsman was the industrialist John C. Stevens. He restored Thoroughbred racing to New York in 1823; established the Elysian Fields, the preeminent site of antebellum ball sports, in Hoboken, New Jersey, in 1831; promoted the first major pedestrian race in 1835; and organized the New York Yacht Club in 1844. Seven years later, Stevens sponsored America, conqueror of the finest British yachts, promoting pride in American naval architecture, craftsmanship, and seamanship.

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American sport began a dramatic transformation at midcentury that led to a boom after the Civil War. This was influenced by the processes of urbanization, industrialization, and immigration; by the development of an ideology that created a positive image for sports; and by the rise of new modern games. The ideology of sports was developed by secular Jacksonian reformers—who thought sports could help cope with such negative features of rapid urbanization as soaring crime rates, epidemics, and class conflict—and by religious reformers inspired by the Second Great Awakening, who saw them as a way to fight sin. Both groups believed that participation in exercise and clean sports would improve public health, build character, develop sound morals, and provide an alternative to vile urban amusements. This positive attitude toward sport was supported by the examples of Scottish Caledonian games (traditional track and field contests) and German turnverein (gymnastic societies). Clergymen like Thomas W. Higginson advocated muscular Christianity, the cornerstone of the Young Men’s Christian Association movement that harmonized mind, body, and spirit. Health advocates in the 1840s organized the municipal park movement that resulted in the creation of New York’s Central Park in 1858. It became a model for large urban parks after the Civil War.

Team sports aptly fit the sports creed. Cricket, a manly and skillful English game, enjoyed a brief fad in the 1840s, but was quickly surpassed by baseball, which had evolved from the English game of rounders. Baseball was simpler, more dramatic, faster paced, and took less time to play. In 1845, Alexander Cartwright drew up the modern rules for his middle-class Knickerbockers club. Early teams were voluntary associations of middle-income men, principally in metropolitan New York, although the game spread quickly along the Atlantic seaboard. Teams were organized by occupation, neighborhood, or political party. The top New York teams organized the National Association of Base Ball Players in 1858 to define rules, resolve disputes, and control the sport’s future.
The Late-Nineteenth-Century Sports Boom

The sports explosion was directly abetted by the technological revolution. Communication innovations like telegraphy and telephony helped newspapers report events at distant locations. The New York World in the mid-1890s introduced the first sports section. Daily coverage was supplemented by weeklies beginning with the American Turf Register and Sporting Magazine (1829) and William T. Porter’s urbane Spirit of the Times (1831), which promoted angling and horseracing. Other important periodicals included the National Police Gazette (1845), the New York Clipper (1853), and the Sporting News (1886).

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The coming of the railroad enabled athletes to journey to distant sites for competition. This potential was demonstrated in 1852, when, to promote rail travel, the Boston, Concord, and Montreal Railroad sponsored the first American intercollegiate athletic contest, the Harvard-Yale crew race at Lake Winnipesaukee, New Hampshire. Railroads enabled baseball leagues to operate and illegal prizefights to take place at out-of-the-way locations. Cheap urban mass transit, especially electrified streetcars, increased access to sporting venues.

Technological innovations also helped sport in many other ways. Thomas Edison’s incandescent light bulb improved illumination for indoor events. New equipment was created, such as vulcanized rubber for balls and tires, and new machines made possible cheap, mass-produced sporting goods. The English safety bicycle invented in the late 1880s created a cycling fad among men and women. Riders joined clubs, raced, toured, and attended six-day professional races at Madison Square Garden in New York City.

Social class heavily determined sporting opportunities in this era. The elite, who emulated the English gentry, had the wealth, time, and self-confidence to indulge themselves. They used expensive sports to gain recognition and improved their status by joining restricted athletic, jockey, country, and yacht clubs. Elite colleges became centers of intercollegiate competition, beginning with rowing (1852), baseball (1859), football (1869), and track and field (1873). Participation spread by the 1890s to state and private colleges throughout the nation. Competition promoted manliness, school pride, and the reputation of institutions. Student-run associations ran the teams and recruited gifted athletes through financial aid and easy course loads.

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The hardworking new middle class finally became involved in sport because of the sports ideology, the creation of clean new sports, and the accessibility of suburban parks where by the mid-1880s they played on baseball diamonds and tennis courts. Their participation in sport demonstrated “manliness” and offered a sense of self-worth and accomplishment lost in their increasingly bureaucratized work. Manual workers’ options were hindered by urbanization, which destroyed many traditional outdoor sports facilities; by the arrival of eastern European immigrants with no athletic heritage; and by the factory system, with its strict time-work discipline, low wages, and long working hours. Lower class urbanites were most active in sports that were accessible and fit in with their environment, like boxing, billiards, and basketball. Progressive reformers promoted sports at settlement houses to help inner-city youth acculturate.

Nineteenth-century sport was virtually an exclusive male sphere. Yet, women, mainly elite daughters whose status protected them from criticism, began to participate after the Civil War. Physicians and female physical educators advocated improved fitness for women to make them more attractive and healthier mothers. Young women partook of sociable coed sports like croquet and ice skating, and individual sports like archery, golf, and tennis, the latter introduced to the United States by Mary Outer bridge in 1875. The cycling fad encouraged the development of sports clothes, including bloomers, shorter skirts, and no corsets. Women’s colleges taught physical fitness, but female students preferred team sports and intercollegiate competition. Athletic leaders at the turn of the century modified men’s sports, especially the new game of basketball, to make them more “appropriate” for women—that is, less exertive and less competitive. Nonetheless, female physical educators opposed intercollegiate sports as creating undesirable manly values like competitiveness and individualism, and in the 1900s, noncompetitive play days supplanted intercollegiate women’s sport.
The Rise of Professional Sport

While most nineteenth-century sport was participatory, the era’s most significant development was the rise of professional spectator sports, a product of the commercialization of leisure, the emergence of sports entrepreneurs, the professionalization of athletes, the large potential audiences created by urbanization, and the modernization of baseball, boxing, and horseracing. Baseball started to become a business in the 1860s with the hiring of the first paid players, the opening of Brooklyn’s Union Grounds, and the 1869 national tour of the all-salaried Cincinnati Red Stockings. The National Association of Professional Baseball Players, the first professional league, was formed in 1871, supplanted by the more business-minded National League (NL) in 1876. The NL’s success led to the rise of rivals, most notably the working-class-oriented American Association—which was created in 1882 but merged with the NL the next season. In the 1880s, major league baseball largely developed its modern character, including tactics, rules, and equipment.

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Baseball, dubbed the “national pastime,” completely dominated the sporting scene in the early 1900s. Not merely fun, its ideology fit prevailing values and beliefs. It was considered a sport of pastoral American origins that improved health, character, and morality; taught traditional rural values; and promoted social democracy and social integration. Baseball’s popularity was reflected by the rise of the American League, the growth of the minor leagues from thirteen in 1900 to forty-six in 1912, and the construction of large fire proof ballparks.

Prizefighting was universally banned until the 1890s, when the bare-knuckle era came to an end—marked by Jim Corbett’s 1892 victory over heavyweight champion John L. Sullivan, the preeminent sports hero of the century. Boxing continued to be permitted in just a few locations until the 1920s, when it was legalized in New York. It then became very popular, with heroes like Jack Dempsey fighting in arenas like Madison Square Garden.

Fighters came from the most impoverished backgrounds, hoping to use boxing to escape poverty. There were a few black champions in the less prestigious lighter weight divisions. However, heavyweight champion Jack Johnson (1908–1915) was considered a threat to white supremacy, and there was a crusade to get rid of him. Thereafter, no African American got a heavyweight title shot until Joe Louis, who won the title in 1937. He became a national hero one year later by defeating Max Schmeling, symbol of Germany. After World War II, boxing was a staple of prime time television, but overexposure and widening public recognition of underworld influences curtailed its success.

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Horseracing was rejuvenated after the Civil War under the aegis of politically connected elites. After a successful experiment at Saratoga, New York, in 1863, the American Jockey Club opened New York’s Jerome Park (1866), a model for elite courses in Brooklyn; Long Branch, New Jersey; and Chicago. Their success encouraged the rise of proprietary tracks—like those in Brighton Beach, New York, and Guttenberg, New Jersey—run by men closely connected to political machines and syndicate crime. By the early 1900s, every state but Maryland and Kentucky had closed their racetracks, if only temporarily, because of the gambling. In the 1920s, Thoroughbred racing revived because of increasing prosperity, looser morals, ethnic political influence, and underworld influences. Racetrack admissions surpassed admissions for all other sports by the early 1950s, and continued to do so until the early 1980s.

Public interest during the 1920s—the so-called “Golden Age of Sports”—was whetted by increased leisure time and discretionary income, by national radio broadcasts of events like baseball’s World Series and heavyweight boxing championships, and by the development of a pantheon of heroes. Every major sport had its great hero, role models who symbolized prowess and traditional and modern values. Idols included Ruth in baseball, Red Grange in football, Jack Dempsey in boxing, Bobby Jones in golf, and Charles Lindbergh in aeronautics. While women were largely limited to “feminine” sports like tennis, figure skating, and swimming, some female athletes—notably tennis player Helen Wills—also became widely celebrated.

The Great Depression hurt sport, though people still looked to recreation for escape. Commercialized sports declined, but less than most businesses, as companies curtailed industrial sports programs, and colleges cut back on intercollegiate sports, particularly football. On the other hand, the Public Works Administration and Works Progress Administration constructed thousands of sports fields, swimming pools, and other athletic facilities.


iPhone X
IPhone X Wordmark.svg
IPhone X vector.svg
Brand Apple Inc.
Slogan Say hello to the future
Generation 11th
Model A1865 (with Qualcomm modem)
A1901 (with Intel modem)
A1902 (sold in Japan)[2]
Compatible networks GSMCDMA2000EV-DOHSPA+LTELTE Advanced
First released November 3, 2017; 8 months ago
Availability by country
Related iPhone 8 (Plus)
Type Phablet
Form factor Slate
Dimensions H: 143.6 mm (5.65 in)
W: 70.9 mm (2.79 in)
D: 7.7 mm (0.30 in)
Weight 174 g (6.1 oz)
Operating system Original: iOS 11.0.1[4]
Current: iOS 11.4.1, released July 9, 2018
System on chip Apple A11 Bionic
CPU 2.39 GHz hexa-core 64-bit
Modem Models A1865/1902:Qualcomm MDM9655 Snapdragon X16 LTE
Model A1901: Intel XMM 7480
Storage 64 or 256 GB
Removable storage None
Battery 3.81 V 10.35 W·h (2716 mA·h) Li-ion[5]
Display 5.8 in (150 mm) Super Retina HDAMOLED, 2436×1125 px resolution, (458 ppi)
625 cd/m2 max. brightness (typical), with dual-ion exchange-strengthened glass
Rear camera 12 MP with six-element lens, quad-LED “True Tone” flashwith Slow Sync, autofocusIR filterburst mode, f/1.8 aperture4K video recording at 24, 30, or 60 fps or 1080p at 30 or 60 fps, slow-motion video(1080p at 120 or 240 fps), timelapse with stabilization, panoramafacial recognitiondigital image stabilizationoptical image stabilization,
telephoto lens with 2× optical zoom / 10× digital zoom
Portrait Lighting (in beta), f/2.4 apertureoptical image stabilization
Front camera 7 MP, f/2.2 apertureburst modeexposure controlface detection, auto-HDR, auto image stabilization, Retina flash, 1080p HD video recording
Portrait Mode, Portrait Lighting (in beta) and Animoji
Sound Stereo speakers
Other IP67 IEC standard 60529 (splash, water, and dust resistant), Qi wireless charging, USB-C to Lightning (connector)fast charging[6]
SAR Model A1865: Head: 1.09 W/kg
Body: 1.17 W/kg[7]
Model A1901: Head: 1.08 W/kg
Body: 1.17 W/kg[8]
Model 1902: Head: 1.12 W/kg
Body: 1.19 W/kg[7]
Hearing aid compatibility M3, T4


laptop, also called a notebook computer or just notebook, is a small, portable personal computer with a “clamshell” form factor, having, typically, a thin LCD or LED computer screen mounted on the inside of the upper lid of the “clamshell” and an alphanumeric keyboard on the inside of the lower lid.

laptop is an investment for today and the future. So, follow the old English proverb Measure Twice, Cut Once when it comes to buying your next laptop.

Despite what you may have read and believed, remember that it’s always better to get the gaming laptop that has a better GPU than the one that has a better.

In laptop we can do many things like blog, word, power point and many more.

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45 years ago, on this day (April 3), Martin Cooper made the first public mobile phone call in New York (US). Cooper, a Motorola employee, used Motorola DynaTAC to make the call.

The study also highlighted that close to 50% people are aware that buying refurbished phones helps save the environment.Image result for mobile phone




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vehicle (from Latin: vehiculum) is a machine that transports people or cargo.

Road vehicles include cars, buses, and trucks. Tractors are farm vehicles. The number of thefts of motor vehicles rose by a third last year.
Forbes is a leading source for reliable news and updated analysis on Vehicles .Chevrolet vehicles. Cars; Electric; Performance; Crossovers & S U V S; Trucks; Commercial; Upcoming. All Vehicles. 2017 Cruze Hatchback .

Many shops were gutted and several vehicles were set ablaze after clashes between two groups in Maharashtra’s Aurangabad on Friday night.

The content on this portal is meant for sharing information regarding vehicles on the basis of available information on vehicle National register.

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  • Physical.
  • Social.
  • Environmental.
  • Emotional.
  • Spiritual.
  • Intellectual/Mental.
Good nutrition is an important part of leading a healthy lifestyle. Combined with Physical activity, your diet can help you to reach and maintain a healthy weight, reduce your risk of chronic diseases (like heart disease and cancer), and promote your overall health.

Jurassic World

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Jurassic World

Jurassic World

Theatrical release poster
Directed by Colin Trevorrow
Produced by
Screenplay by
Story by
  • Rick Jaffa
  • Amanda Silver
Based on Characters
by Michael Crichton
Music by
Cinematography John Schwartzman
Edited by Kevin Stitt
Distributed by Universal Pictures[1]
Release date
  • May 29, 2015 (Le Grand Rex)
  • June 12, 2015 (United States)
Running time
124 minutes[3]
Country United States
Language English
  • $150 million (gross)[4]
  • $129.3 million (net)[4]
Box office $1.672 billion[5]

Jurassic World is a 2015 American science fiction adventure film and the fourth installment of the Jurassic Park film series, as well as the first film in a planned Jurassic World trilogy. It was directed by Colin Trevorrow, written by Derek Connolly and Trevorrow, produced by Frank Marshall and Patrick Crowley, and stars Chris PrattBryce Dallas HowardVincent D’OnofrioTy SimpkinsNick RobinsonOmar SyB. D. Wong, and Irrfan Khan.

Set twenty-two years after the events of Jurassic ParkJurassic World takes place on the same fictional Central American island of Isla Nublar, off the Pacific coast of Costa Rica, where a theme park of cloned dinosaurs has operated for nearly a decade. The park plunges into chaos when a genetically-engineered dinosaur escapes and goes on a rampage.

Universal Pictures intended to begin production on a fourth Jurassic Park film in 2004 for a summer 2005 release, but development stalled while the script underwent several revisions. Following a suggestion from Spielberg, writers Rick Jaffa and Amanda Silver explored the idea of a functional dinosaur park. Once Trevorrow was hired as director in 2013, he followed the same idea while developing a whole new script with Derek ConnollyPrincipal photography rolled from April to August 2014, primarily in Louisiana while also using the original Jurassic Park filming locations in Hawaii. The dinosaurs depicted in the film were created through the use of CGI by Industrial Light & Magic and life-sized animatronics by Legacy Effects.

Production was completed on May 10, 2015,[6] and Jurassic World was released in over 60 countries beginning on June 10, 2015. After a record-breaking opening weekend where it became the first film to gross over $500 million worldwide,[7] Jurassic World generated a total of $1.6 billion in box office revenue, ranking as high as fifth among the highest-grossing films of all time. It was also the second-highest-grossing film of 2015 and the highest-grossing film in the franchise. A sequel, Jurassic World: Fallen Kingdom, was released in June 2018.


Teenaged brothers Zach and Gray Mitchell visit Jurassic World, a functioning dinosaur theme park and resort on Isla Nublar, the original Jurassic Park site, for winter holiday. The trip is arranged by their mother for the boys to spend quality times with their aunt, Claire Dearing, who is the park’s operations manager, while their parents are in the middle of divorce. The boys are disappointed when Claire assigns her assistant, Zara, as their guide while she is busy, but the boys evade Zara to explore on their own.

Elsewhere on the island, Owen Grady, a Navy veteran, has been training the park’s four Velociraptors, Charlie, Delta, Echo and Blue while also researching their intelligence. Based on the raptors’ ability to follow commands, Vic Hoskins, the head of InGen Security, believes that they can be used as military animals, an idea Owen and his assistant, Barry, strongly oppose.

Prior to its opening, park owner Simon Masrani and Claire inspect the park’s newest attraction, the Indominus rex, a genetically-engineered dinosaur created by geneticist Dr. Henry Wu. Claire has Owen evaluate the enclosure; they had previously gone on a date but it did not work out because of their differing lifestyles. Owen warns Claire that the Indominus lacks social skills from being raised in isolation, making it more dangerous and unpredictable. When it appears that the Indominus has escaped, Owen and two park workers enter the enclosure. Able to camouflage itself and mask its heat signature, the Indominussuddenly appears. Owen survives the attack, but it kills the other two men before escaping into the island’s interior. Owen tells Masrani to have the Indominus killed, but protecting his company’s investment, Masrani instead dispatches a specialized unit to subdue it with non-lethal weaponry. After most of the unit is wiped out, Claire orders the island’s northern sector to be evacuated.

While exploring in a gyrosphere vehicle, Zach and Gray enter a restricted area. The Indominus arrives and destroys the sphere, but the boys get away. Finding the ruins of the original Jurassic Park visitor center, they repair an old Jeep Wrangler and drive back to the park resort. As Claire and Owen search for the boys, they barely escape the Indominus. Masrani and two troopers hunt the Indominus by helicopter, but the Indominus breaks into the park’s aviary to avoid the gunfire, releasing the pterosaurs Pteranodon and Dimorphodon that collide with the helicopter, causing it to crash and killing Masrani in the process. Gray and Zach find Owen and Claire at the park as armed personnel shoot down swarming pterosaurs with tranquilizers. Zara is carried off by several pterosaurs before falling into the park’s lagoon and being devoured by its Mosasaurus.

Assuming command, Hoskins orders that the raptors be used to track the Indominus; Owen, forced to comply, leads the raptors by motorcycle. Upon finding the Indominus, the animals begin communicating with one another. Owen realizes that the Indominus has Velociraptor DNA, and it becomes the pack’s new alpha, usurping Owen’s dominance. The Indominus escapes as troops fire on it. The raptors wipe out most of the troops, but one raptor is killed. Hoskins has Wu and the dinosaur embryos helicoptered off the island to protect Wu’s research. Owen, Claire, and the boys discover Hoskins packing up the remaining embryos at the lab, but a raptor breaks in and kills him.

Outside, Owen re-establishes his bond with the three raptors before the Indominus reappears. The raptors attack the Indominus, but two are killed. Claire releases the park’s Tyrannosaurus rex and lures it into battle with the Indominus. The latter gains the upper hand until Blue, the surviving raptor, joins the fight. Overwhelmed, the Indominus is cornered at the lagoon’s edge, where it is dragged underwater by the park’s Mosasaurus. Isla Nublar is abandoned once again, and the survivors are evacuated. Zach and Gray are reunited with their parents; Owen and Claire become involved romantically.


(L&C) Chris Pratt and Bryce Dallas Howard play the film’s two leads, while B. D. Wong (R) reprises his role as Dr. Henry Wu from the first film.
  • Chris Pratt as Owen Grady, a Navy veteran, and a Velociraptor expert and trainer at Jurassic World.[8]
  • Bryce Dallas Howard as Claire Dearing, the Jurassic World operations manager. Aunt to Zach and Gray Mitchell.[8]
  • Vincent D’Onofrio as Vic Hoskins, head of InGen’s security operations, who wants to use the raptors and the Indominus rex as military weapons.[9]
  • Ty Simpkins as Gray Mitchell, one of Claire’s nephews and the younger brother of Zach.[8]
  • Nick Robinson as Zach Mitchell, one of Claire’s nephews and the older brother of Gray.[8]
  • Omar Sy as Barry, Owen’s assistant who helps care for the raptors.[10]
  • B. D. Wong as Dr. Henry Wu, a geneticist who heads the team that created the dinosaurs for Jurassic World. He is revealed to have an alliance with Hoskins. Wong is the only actor in the film to reprise his role from any of the previous movies.
  • Irrfan Khan as Simon Masrani, CEO of the Masrani Corporation and the owner of Jurassic World.[8]
  • Jake Johnson as Lowery Cruthers, an employee in the park’s control room.[8]
  • Lauren Lapkus as Vivian, an employee in the park’s control room.[11]
  • Brian Tee as Hamada, the leader of the ACU (Asset Containment Unit), a group of security guards installed on Isla Nublar.[8]
  • Katie McGrath as Zara, Claire’s personal assistant.[12]
  • Judy Greer as Karen Mitchell, Claire’s sister and mother of Zach and Gray.[13]
  • Andy Buckley as Scott Mitchell, Karen’s husband and father of Zach and Gray.

Additionally, Jimmy Fallon and Jimmy Buffett cameo as themselves.[14][15][16]Patrick Crowley, the film’s producer, cameos as Masrani’s flight instructor[17]while Colin Trevorrow briefly provides the voice of Mr. DNA, an animated DNA helix who explains the park’s technology to visitors. The character was previously voiced by Greg Burson in Jurassic Park.[18][19] Brad Bird provides a voice cameo as the park’s monorail announcer[20] and Jack Horner, the film’s technical advisor, also cameos.[21]

Themes and analysisEdit

Director Colin Trevorrow stated that the Indominus rex, the synthetic hybrid dinosaur at the center of the film’s story, is symbolic of consumer and corporate excess. The dinosaur was “meant to embody [humanity’s] worst tendencies. We’re surrounded by wonder and yet we want more, and we want it bigger, faster, louder, better. And in the world of the movie, the animal is designed based on a series of corporate focus groups.”[22] He also stated, “There’s something in the film about our greed and our desire for profit. The Indominus rex, to me, is very much that desire, that need to be satisfied.”[23] Film journalists have noted the parallels between the workings of the park in Jurassic World and the film and entertainment industry.[24] Actor James DuMont stated that “the person [and] the environment are one” is one of the obvious themes. Another theme is that “those who do not stop evil are supporting and encouraging it”.[25]

The film also explores the concept of raising an animal in a particular way. The Indominus rex was said to have been raised in captivity without the presence of any siblings, thus making the creature somewhat “not fully functional”.[26]



In March 2001, Jurassic Park III director Joe Johnston said that he and executive producer Steven Spielberg had discussed a story idea for a fourth Jurassic Park film, which Johnston was not interested in directing.[27] In May 2001, Spielberg had Amblin Entertainment commence development of ideas for Jurassic Park IV, which he planned to produce.[28] Late into Jurassic Park IIIs production, Spielberg devised a story idea which he believed should have been used for the third film instead.[29] In June 2001, Johnston announced he would not direct the film, and that Spielberg had a story idea that would take the series’ mythology to a new level.[30] Johnston said the film would feel like a departure from the previous films, implying it would not be set on an island.[31] Johnston also denied, then later hinted, that the film would involve the Pteranodons from the ending of Jurassic Park III.[32][33]

Actor Sam Neill, who portrayed Dr. Alan Grant in two previous films in the series, said he could not imagine a way for his character to be involved in another film.[34] Neill was contracted for a total of three films,[35] and other actors from Jurassic Park III were also signed on for a potential fourth film.[36] In April 2002, it was reported that the fourth Jurassic Park would be the last film in the series, and that it would ignore its predecessor’s events.[37] In June 2002, Spielberg confirmed plans for a fourth film, which he hoped to have Johnston direct. Spielberg also said there was a story idea which he considered to be the best one since the first film.[29] In November 2002, Neill said there was a chance he would be in the film,[38] while William Monahan was announced as the screenwriter, with Spielberg serving as executive producer and Kathleen Kennedy as producer.[39] A month later, the film was announced for a summer 2005 release.[40]

In January 2003, Jeff Goldblum said he had been asked to stay available for a possible return of his character Ian Malcolm.[41] At the end of the month, it was reported that the story would involve dinosaurs migrating to the Costa Rican mainland. A team of experts, including Alan Grant and Ian Malcolm, chart an expedition to one of InGen’s offshore islands and discover the dinosaurs breeding uncontrollably. The plot would involve the characters devising a solution to restrict the spread of the dinosaurs and prevent an ecological disaster. It was also reported that the plot contained a “top-secret aspect”.[42][43]Early concept art depicted genetically engineered human-dinosaur mercenaries.[44][45][46] Stan Winston‘s special effects studio, which worked on the previous films, was in the design phase for the film as of April 2003. Winston said that Spielberg wanted to adapt several previously unfilmed scenes from Michael Crichton‘s Jurassic Park novel and its sequel, The Lost World.[47] By July 2003, Keira Knightley was in consideration for two separate roles, including a small role as a granddaughter.[48] Monahan’s first draft of the script was finished later that month, with a story no longer set in the jungle as in the previous films. A director had yet to be discussed at that time.[49] Neill confirmed he would reprise his character, with filming set to begin in 2004 in California and Hawaii.[50]

In September 2003, Richard Attenborough said he would reprise his role as John Hammond.[51] The following month, paleontologist Jack Horner said he would return as technical adviser for the fourth film as he had done for previous Jurassic Park films. Horner hinted that Velociraptor would be an integral part of the film,[52] and was later asked about a hypothetical idea of humans evolving from dinosaurs rather than mammals. Horner responded, “Keep thinking about that, and in a couple of years go see Jurassic Park 4.”[53] Knightley’s character was written out in late 2003.[54] In March 2004, Johnston said he had not been asked to direct the film, and hoped that Spielberg would direct it. Johnston said a story was being written that would take the series in a completely different direction “away from the island and away from the T. rex and all this.”[55] In April 2004, script doctors were being sought to work on the film’s story, which involved dinosaurs being trained by the government to carry and use weapons in battles.[56] As of May 2004, screenwriter John Sayles was writing the script,[57]after being hired to finish earlier work done by Monahan, who had left the project to work on Kingdom of Heaven.[58]

Sayles ultimately wrote two drafts for the film.[59] In Sayles’s first draft, Isla Nublar and InGen have been taken over by Grendel Corporation, a Swiss holdings company, while creatures from the island have begun attacking people on the mainland of Central and North America. The script featured a brief return to Isla Nublar, and would focus on a mercenary named Nick Harris, a new character who is sent by John Hammond to the island to retrieve a canister of dinosaur DNA that was lost during the events of the first film. With the DNA, Hammond intends to have his scientists create a new group of infertiledinosaurs that can the current infestation of creatures. After Harris retrieves the canister, he is kidnapped by Grendel and taken to their medieval castle headquarters in the Swiss Alps, where he is persuaded into helping the company train a team of five Deinonychus – modified with human DNA for problem-solving skills and dog DNA for obedience – and two Dilophosaurus for use on rescue missions and to fight against drug dealers. The dinosaurs would be equipped with body armor, and would use their teeth and claws as weapons. The script focused primarily on the efforts of Harris and a team of experts as they train the dinosaurs, who would also have hormone-emitting devices attached to their heads to help control their moods and behavior. Hammond would be the only returning character in this draft.[60][61][62] The concept of a human who trains raptors was an idea that came from Spielberg.[63]

By June 2004, Frank Marshall had joined the project as a producer,[64] while Alex Proyas was in discussions to direct, with filming expected to begin in March 2005 for a rescheduled winter 2005 release. Filming would have started at Pinewood Studios, where a massive tank was to be constructed for scenes involving marine reptiles.[65][66] In July 2004, the script was being rewritten, with Jeremy Piven and Emmy Rossum being considered for two of the lead roles and Attenborough reprising his character.[54] Later that month, Proyas said he was not interested in directing the film.[67] In August 2004, Drew McWeeny of Ain’t It Cool News published a review of Sayles’s initial draft, writing “I think it’s well-written and certainly inventive, but I also think it just might be the single most bugfuck crazy franchise sequel I’ve ever read”.[60] Sayles later confirmed this to be an early draft of the script, intercepted through Spielberg’s email by a hacker.[68] In late August 2004, David Boreanaz was rumored and later reported to have the lead role,[69][70] although he was actually in consideration for Fantastic Four.[71] Sayles was still rewriting the script in September 2004, with the film on track for a winter 2005 release.[72]

In April 2005, Winston confirmed the film was on hold because of repeated revisions of the film’s script, none of which satisfied Spielberg. According to Winston, “He felt neither of [the drafts] balanced the science and adventure elements effectively. It’s a tough compromise to reach, as too much science will make the movie too talky, but too much adventure will make it seem hollow.”[73]Progress on the film was stalled during 2005, as Marshall and Spielberg were busy with other film projects.[74] At the end of the year, Spielberg said he planned to include a scene, inspired by Crichton’s The Lost World novel, that would involve characters on motorcycles as they flee from raptors.[75] In January 2006, Johnston and Horner were working on a new screenplay,[76] and more work on it was expected to begin immediately after the 2008 release of Indiana Jones and the Kingdom of the Crystal Skull.[77] In February 2006, Marshall said the film now had a good script, with filming expected to begin in 2007 for a 2008 release.[78] In March 2006, Marshall said the film had a script and was getting a director, with Johnston as a possible candidate.[79] In April 2006, Marshall said there was an idea for the film, but not a script. Marshall denied that Crichton would write the script, or that Spielberg would direct it.[80]The script was still being worked on in June 2006.[81] The following month, Spielberg denied an Internet rumor that Breck Eisner would direct, saying Johnston was standing by for the job.[82]

In December 2006, Laura Dern said she was open to the possibility of reprising her role as Ellie Sattler, but had not been contacted about appearing in the film.[83] In March 2007, Neill said he knew nothing about the project.[84] By April 2007, Dern had been contacted about appearing in the film, with filming expected to begin within the year for release in 2008.[85] By that time, Johnston no longer planned to direct the film.[86] In December 2007, Marshall said further work on the script would not commence until the end of the 2007–08 Writers Guild of America strike, with filming potentially starting in 2008 for a release in the summer of 2009.[87] Horner’s 2009 book, How to Build a Dinosaur, was originally meant to come out at the same time as the film as a scientific companion volume.[88] During 2008, Attenborough and Goldblum expressed interest in reprising their roles,[89][90][91] although Attenborough suffered a fall at his home later that year and subsequently retired from acting.[92] In a 2008 interview, Johnston discussed the possibility of Jurassic Park IV, stating that the film’s story was completely different from its predecessors and would not be set on an island. Johnston also said the film would essentially take the franchise into a whole other trilogy but that “when it gets to that level it’s sort of about studios and Steven’s thing and who knows.”[93]

In December 2008, a month after Crichton’s death, Marshall and Kennedy were asked if there was any development on the sequel. Kennedy responded, “No… I don’t know. You know, when Michael Crichton passed away, I sorta felt maybe that’s it. Maybe that’s a sign that we don’t mess with it.”[94] While Marshall and Kennedy were no longer signed with Universal Pictures in a production capacity, it was said that the two would remain involved with the studio and its plans for Jurassic Park 4.[95] In June 2009, Marshall said the film did not have a story.[96]In early 2010, Johnston reiterated that Jurassic Park IV would essentially be the beginning of a second Jurassic Park trilogy.[97][98][99] Johnston also said the film would feature new characters and a storyline that did not involve a dinosaur theme park, while stating that the project would not use the 2004 storyline from Sayles’s initial draft. Johnston hoped to further develop the project with Spielberg after they finished other projects they were working on separately, including Johnston’s 2011 film, Captain America: The First Avenger.[99]

By June 15, 2011, Spielberg had met twice with writer Mark Protosevich to work on a story for a potential fourth Jurassic Park film.[100] In July 2011, Johnston said he was in discussions regarding the fourth film, which was still planned as the start of a new trilogy.[101] Later that month, at the San Diego Comic-Con International, Spielberg said a writer was working on a treatment for the film, which he said would be possibly released “within the next two or three years.”[102] A representative from Universal said 2013 would be the preferred deadline for completion.[103] Over the next three months, Mark Protosevich wrote two story treatments for the film.[104] Spielberg had hoped to have a writer working on a full screenplay for Jurassic Park IV by the time he started filming his other project, Lincoln, in October 2011, with the hope that the script would be finished by the time Lincoln was finished. However, he and Kennedy felt that neither of Protosevich’s treatments consisted of the right story for a fourth film.[105]

Despite this, Spielberg said in October 2011 that the script was being written by Protosevich, and that he felt the story they were working on was stronger than that of Jurassic Park III.[106] In December 2011, Kennedy said a script had not been written yet, as story ideas were still being discussed.[107] In January 2012, Kennedy said a story had been chosen and that work on the script would begin.[105] That month, Spielberg said he would not direct the film, opting instead to be a producer.[108] In June 2012, it was announced that writers Rick Jaffa and Amanda Silver would be scripting Jurassic Park 4.[109]


On January 11, 2013, Universal said the film would be shot in 3D and released on June 13, 2014.[110] In February, it was reported that Kathleen Kennedy would not be producing the film in favor of focusing on Star Wars: The Force Awakensfor 2015.[111] Her husband and production partner Frank Marshall took over as the primary producer.[112] Shortly thereafter, the director of studio operations at Raleigh Studios in Baton Rouge, Louisiana, confirmed that Universal Pictures had reserved space there from April to November 2013, without specifying the project for which it was reserved.[113]

As Kennedy prepared Star Wars: The Force AwakensBrad Bird — who wanted to work on the film but was too busy with Tomorrowland — suggested to her that she employ director Colin Trevorrow to work as a stand-in during the pre-production of Star Wars. This instigated Kennedy and Marshall to watch Trevorrow’s first film, Safety Not Guaranteed. Marshall was impressed by the film,[114] and at the end of February 2013,[115] he arranged a meeting between himself, Trevorrow and Spielberg regarding the Jurassic Park job.[114] Trevorrow flew from his home in Vermont to Amblin’s offices in Los Angeles, where he was subsequently hired without reading Jaffa and Silver’s script, which was still being written.[116][117] Universal announced Trevorrow as director on March 14, 2013,[118][119] while adding that Patrick Crowley was a co-producer.[120]Trevorrow had been a fan of the series since he saw the original film during its theatrical release.[15] A year had been spent searching for a director.[115]Spielberg, Marshall, and Kennedy had previously been impressed by Juan Antonio Bayona‘s 2012 film, The Impossible, and considered having him direct Jurassic World, but he declined as he felt there was not enough time for production.[121][122] In April 2013, Jack Horner said that a new, previously extinct creature would rise to stardom in the film, saying, “I can’t actually tell you who that will be… But you’ll want to keep the lights on after you see this movie.”[123]

After reading Jaffa and Silver’s draft, Trevorrow insisted on completely rewriting the script with writing partner Derek Connolly, who had never seen any of the Jurassic Park films prior to that point.[15][124] Trevorrow had told the filmmakers, “if I direct this screenplay, it’s going to be a bad movie. I’m gonna do a bad job, because I just don’t get it.”[117] Trevorrow and Connolly wrote their own draft of the script over a couple of weeks.[116] The studio received the draft on May 6, 2013, and found the script changes more large-scale than anticipated.[125] On May 8, 2013, the studio announced it was pushing the release from June 13, 2014, to an unspecified future date.[126][127] Filming had been set to begin on June 24, 2013.[125] Delaying the film allowed Trevorrow and Connolly more time to work on the script,[128] as Spielberg felt that it needed improvement.[15]Another reason for the delay was to allow time for the construction of practical sets for the fictional theme park; it was previously intended to add in these buildings using computer effects.[116]

In May 2013, Trevorrow tweeted a picture of Kauai taken during location scouting with the caption “Nublar”, the name of the island in the original film.[129]Later that month, Sam Neill said it was unlikely he would be a part of the film, stating, “I’m told it’s a big reboot, a total re-jig.”[130] Trevorrow eventually tweeted that “Reboot is a strong word. This is a new sci-fi terror adventure set 22 years after the horrific events of Jurassic Park.”[131] In June 2013, a new release date of 2015 was announced,[132] and it was reported that the film would revolve around a fully functional dinosaur theme park.[133]

On September 10, 2013, Universal Pictures confirmed the film would be titled Jurassic World and would be released on June 12, 2015.[134] Trevorrow chose to rename the film from its previous title, Jurassic Park IV, to differentiate it from previous films in the series.[135] Trevorrow also said that within the story, “if you named a theme park ‘Jurassic Park’ after the disaster that had happened it would be a horrible PR mistake.”[136] By February 7, 2014, Legendary Pictureshad agreed to co-finance the film,[137] and provided about 20% of the budget.[138]China Film Group has been reported as also having financed the film.[139]Thomas Tull of Legendary Pictures served as executive producer for the film with Spielberg.[140]


Spielberg had three ideas that he wanted Jaffa and Silver to implement into the script: a fully functioning dinosaur theme park, a human who has a relationship with trained raptors (from Sayles’s earlier draft), and a homicidal dinosaur that escapes and has to be stopped.[6][141][124] Jaffa and Silver’s draft, titled Jurassic Park IV,[116][124] included an opening scene set in China,[112] where the fossilized remains of a new dinosaur species would be discovered by a Chinese female paleontologist.[142][6] In the draft, the remains would be stolen by a corporation with malicious intentions, ultimately leading the paleontologist and her two sons to visit Jurassic Park.[142][6] Jaffa and Silver worked on the script for approximately a year, with input from Spielberg.[143]

After the film was delayed in May 2013, Trevorrow and Connolly continued rewriting the script during the summer,[128] and worked with Spielberg during that time to perfect it.[15] Throughout the writing period, Trevorrow, Connolly and Spielberg had many meetings to discuss the film’s story.[144] David Koepp also met with Trevorrow and Connolly to advise them on the script.[15] Koepp had previously written the first two films in the series, but at some point declined an offer to write the fourth film, as he felt that he had nothing left to contribute to the series.[145][146] Trevorrow said that perfecting the script was the hardest part because Jurassic Park films “don’t fit into a specific genre. They’re sci-fi adventures that also have to be funny, emotional and scary as . That takes a lot of construction, but it can’t feel designed.”[128]

To determine the film’s story, Trevorrow and Connolly discussed world events that had occurred over the previous two decades; Trevorrow said that two main ideas emerged: “One was that money has been the gasoline in the engine of our biggest mistakes. If there are billions to be made, no one can resist them, even if they know things could end horribly. The other was that our relationship with technology has become so woven into our daily lives, we’ve become numb to the scientific miracles around us. We take so much for granted. […] We imagined a teenager texting his girlfriend with his back to a T-Rex behind protective glass. For us, that image captured the way much of the audience feels about the movies themselves. ‘We’ve seen CG dinosaurs. What else you got?'”[147]Trevorrow also said Jurassic World was inspired by a quote from Ian Malcolm in the first film: “You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you wanna sell it.” Trevorrow said Malcolm’s quote inspired the large amount of product placement in the film.[148]

Trevorrow and Connolly maintained Spielberg’s three ideas, although Trevorrow felt that the concept of trained raptors, in its original form, was too extreme and had to be “pulled way, way, way back.”[116][141] A few months after being hired, Trevorrow read through each of the previous drafts that had been written for the film.[63] Trevorrow commented that each of the previous drafts “tried to do something different” from the previous films in the series.[6] Trevorrow called Sayles’s initial draft “fascinating in a lot of ways. There were a lot of things I loved about it. It was properly bonkers. In a way, I aspired for our film, in its fearlessness and willingness, to go there.”[63] Trevorrow further stated that he was “interested in what the Sayles script was trying to do because it was so daring. It was trying to set a tone for how far forward we needed to push. The one thing about all those scripts is that it took us too far forward with man’s progressions with dinosaurs.”[6] For Owen’s relationship with the raptors, Trevorrow and Connelly were inspired by real-life relationships that people have formed with dangerous animals such as lions and alligators.[15][149] In the film’s first appearance of the raptors, the animals are ordered to not eat a live pig located in their enclosure; Trevorrow said that this “was as far as we should be able to go” with the concept of trained raptors.[15]

Trevorrow and Connelly’s rewrite of the script included new characters.[142]Trevorrow wrote the characters of Hoskins, Masrani, and Wu, while Connelly wrote the children and female characters.[15] In Jaffa and Silver’s draft, the main character, who would ultimately become Owen, actively supported the militarization of the raptors from the beginning of the story. Trevorrow said that “if anyone’s gonna militarize raptors that’s what the bad guy does, he’s insane.”[150] Trevorrow and Connolly’s script changes altered the story so the viewer would first see the theme park from the perspective of a child.[15]Trevorrow said that one of his goals was for the child characters of Zach and Gray to “not be annoying. And I think we pulled it off.”[15] Gray was initially written as having autism, a trait that was removed from the final draft.[151]

Trevorrow and Connolly did not desire to write previous characters into the new film without a good reason for their return to the series; they considered the character of Dr. Henry Wu a logical choice, being the scientist responsible for recreating dinosaurs.[15][128] In the first novel, Henry Wu had a much larger role, which was trimmed down for the film adaptation.[15][128] Trevorrow said that the characters of Alan Grant, Ian Malcolm, and Ellie Sattler were not included in the script because, “I respect those actors too much to shoehorn them into this story for my own sentimental reasons. Jurassic Park isn’t about the bad luck of three people who keep getting thrown into the same situation. The only reason they’d go back to that island is if the screenwriters contrived a reason for them to go.”[128] Trevorrow said that there were ways for viewers to feel nostalgia without having an actor reprise a role after so many years, which he believed “might make you feel old and remind you that you’re on a slow march towards death, like the rest of us!”[15]

Initially, the film’s new dinosaur was known as Malusaurus.[152][153] Within the story of Jaffa and Silver’s draft, the new dinosaur would be depicted as a real animal, while it was actually a nonexistent species in reality. Trevorrow chose to make the dinosaur a genetically modified hybrid named Indominus rex, to maintain consistency with previous films in the series, which had incorporated the latest paleontological findings and discoveries: “I didn’t wanna make up a new dinosaur and tell kids it was real.”[115] Trevorrow said the idea of a hybrid dinosaur was “not tremendously different from what they were doing in the first film, by adding frog DNA. It’s the next level.”[15] In addition to the Indominus rex, the earlier draft by Trevorrow and Connelly also included a second hybrid dinosaur named Stegoceratops, consisting of DNA from Stegosaurus and Triceratops. However, Trevorrow chose to remove the animal from the final script after his son made him realize that featuring multiple hybrids would fail to make the Indominus unique.[116][154]

In the Jaffa/Silver draft, the raptor hunt for the park’s new and escaped dinosaur accounted for approximately the second half of the film. This was ultimately shortened by Trevorrow and Connelly.[155] One scene inspired by Crichton’s novel, The Lost World, involves Owen riding a motorcycle while his raptors race alongside him during their search for the Indominus. Spielberg had intended to include the scene as early as 2005, although his initial vision for the scene was more similar to its novel counterpart, in which humans on a motorcycle flee from raptors rather than cooperating with them.[75][156] The Indominus’s camouflage ability was also an aspect in The Lost World, which featured Carnotaurus with the same ability.[157]

Trevorrow said that the film “isn’t a sequel or a reboot or a remake, it’s all of those things in a strange way. My third rail was being derivative and making a carbon copy of Jurassic Park.”[158] Jurassic World features various references to Jurassic Park,[21][158] and is considered a direct sequel to the first film; Trevorrow stated that the events of the previous two films were not relevant to the new film’s story because they took place on a different island. Despite not being referenced in Jurassic World, Trevorrow said that the events of the film’s predecessors were still canon in the film series.[19][159][160]

Trevorrow suggested the idea of including a Mosasaurus as part of a theme park feeding show in which park-goers would watch from bleachers as the animal leaps out of a lagoon and catches its prey: a shark hanging above the water. Spielberg then suggested that the bleachers be lowered afterwards to give park guests a view of the creature in its aquatic habitat.[116][149] The theme park’s ball-shaped gyrosphere rides were another idea from Spielberg.[149]

Regarding Zara’s death scene, Trevorrow said: “It was the first time a woman was going to die in a Jurassic Park movie. We’re an equal opportunities bunch of murderers! So we felt, ‘Alright, let’s make it the most spectacular death we can possibly imagine—let’s involve multiple animals from sea and air…’ […] the earned death in these movies has become a bit standard and another thing I wanted to subvert. ‘How can we surprise people? Let’s have someone die who just doesn’t deserve to die at all.'”[154] Spielberg approved Trevorrow and Connolly’s draft in September 2013.[161]


Prior to the production delay in May 2013, actors Bryce Dallas HowardDavid Oyelowo, and Garrett Hedlund had been considered for roles in the film.[134] By August 15, 2013, John Krasinski was in talks for a role as a dinosaur tamer.[162]In September 2013, Howard was in early negotiations to play a role,[163] and was cast in early November.[164] By mid-October, Ty Simpkins had been cast as the child lead,[165] while Nick Robinson was cast as the older brother of Simpkins’s character.[166] Robinson and Simpkins had to perform a “scream test” prior to being cast.[15] During mid-October, Jake Johnson was being considered for a role,[165] while Josh Brolin was in talks to play the role of Owen.[167][144] Brolin had been in early consideration, but ultimately did not receive an offer for the role as a final casting decision had not yet been made.[144]

By mid-November 2013, Brolin was no longer in talks for the film, and Chris Prattwas in early negotiations for the role of Owen.[168][169] By mid-January 2014, Pratt had been cast in the role.[170] Trevorrow had been impressed by Pratt’s acting in Zero Dark Thirty.[15] Pratt had previously joked in 2010 that Spielberg had cast him in the film.[171] Trevorrow said that when Pratt was cast, “we had no idea he’d become as big a star as he has. I just cast a bunch of character actors, as all Jurassic Park movies have. And somehow we ended up with a movie star.”[15] Trevorrow considered Owen to be a combination of Alan Grant and Ian Malcolm,[172] while Pratt said about the character: “He’s got a little bit of the Goldblum cynicism but also the Sam Neill excitement at the wonder of the biology of it all, so it’s a combination.”[173] Although Pratt received top billing in the cast, Trevorrow stated that Howard’s character, Claire, is the lead character.[144][174]

Vincent D’OnofrioIrrfan Khan and Omar Sy were cast in early 2014.[175][176][177]Trevorrow had admired Sy’s acting, and wrote the character of Barry with him in mind for the role.[10] Trevorrow also said that he cast actors such as Sy because they were well known in different parts of the world, stating that “this is a global film and Jurassic Park doesn’t belong to just America.”[160] In March 2014, Johnson confirmed that he would have a role in the film,[178][179] while Trevorrow announced that B. D. Wong would reprise his role as Dr. Henry Wu, stating that the character would have a more significant role than in the original film.[128] A week before filming began, it was announced that Judy GreerKatie McGrath, and Lauren Lapkus had joined the cast.[180] Over the next two months, it was announced that Andy Buckley and James DuMont had joined the cast.[181][182]

Continue reading “Jurassic World”



Related image

It is autumn, the season of change! In the north, the hottest days of summer are past. Each day is shorter than the last. Trees will begin to turn bright colors. Soon it will be time for hot cocoa and warm coats.

Far to the south, across the equator, spring has arrived. The days are growing longer. The weather is warmer. Soon flowers will be blooming. They bring the promise of summer’s heat and new life.

The reason for these changes has to do with the Earth’s yearly trip around the sun. For part of the year the Earth’s North Pole points away from the sun. Part of the time it points toward it. This is what causes our seasons. When the North Pole points toward the sun, the sun’s rays hit the northern half of the world more directly. That means it is warmer and we have summer. But, when the North Pole is pointed toward the sun, the South Pole is pointed away. So the Earth south of the equator gets less warmth from the sun. It is winter there.

Sun and EarthSummer is even warmer and winter is colder because of the length of our days and nights. In the summer, daylight lasts longer and nighttime is shorter. In winter, the days are shorter and the nights longer. That means there is more time for the sun to warm us during long summer days. Short winter days have long, cold nights.

The longest day is in the middle of summer. North of the equator, it happens on June 21st or 22nd. It is called the summer solstice. The shortest day is in the middle of winter. This happens around December 21st or 22nd north of the equator. It is called the winter solstice.

There is a special day in between summer and winter. On this date, day and night are each 12 hours long. This is called the autumnal equinox. It is the first day of fall north of the equator. It is the first day of spring in the southern half of the world.

Mouse hiding under a leaf.In between winter and summer there is another equinox. It is called the vernal equinox. One day and night are each 12 hours long. This change is the first day of spring north of the equator. It is the start of fall to the south.

t is autumn, the season of change! In the north the hottest days of summer are past and each day is shorter than the last. Trees will soon turn brilliant colors. Soon it will be time for hot cocoa and warm coats.

Far to the south, across the equator, spring has arrived. The days are growing longer, and the weather is warmer. Soon wild flowers will be blooming, bringing the promise of summer’s heat and new life.

The reason for these changes has to do with the Earth’s yearly trip around the sun. For part of the year the Earth’s North Pole points away from the sun and part of the time toward it. This is what causes our seasons. When the North Pole points toward the sun, the sun’s rays hit the northern half of the world more directly. That means it is warmer and we have summer. But when the North Pole is pointed toward the sun, the South Pole is pointed away. So the Earth south of the equator gets less warmth from the sun and it is winter there.

Flowers and trees. Summer is even warmer and winter is colder because of the length of our days and nights. In the summer daylight lasts longer and nighttime is shorter. In winter the days are shorter and the nights longer. That means there is more time for the sun to warm us during long summer days. And short winter days have long, cold nights.

The longest day is in the middle of summer, June 21st or 22nd north of the equator. That’s called the summer solstice. The shortest day is in the middle of winter, around December 21st or 22nd, north of the equator. That’s called the winter solstice.

But right in between summer and winter, this year on September 22nd, day and night are each 12 hours long. This is called the autumnal equinox . It is the first day of fall north of the equator, and the first day of spring in the southern half of the world.

In between winter and summer there is another equinox, called the vernal equinox. Just like the autumnal equinox, day and night are the same length. Only this change is the first day of spring north of the equator, and the start of fall to the south.



A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern.

Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanksgiving. The celebrations offer a sense of belonging for religious, social, or geographical groups, contributing to group cohesiveness. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced entertainment. Festivals that focus on cultural or ethnic topics also seek to inform community members of their traditions; the involvement of elders sharing stories and experience provides a means for unity among families.

In Ancient Greece and Rome, festivals such as the Saturnalia were closely associated with social organisation and political processes as well as religion.[1][2][3] In modern times, festivals may be attended by strangers such as tourists, who are attracted to some of the more eccentric or historical ones. The Philippines has traditionally been the capital of the world’s festivities, as each day of the year has at least one specific Filipino festival. There are more than 42,000 known major and minor festivals in the Philippines, the majority of which are in the barangay (village) level.[4]


A Festival at Antwerp, 17th century

Country Festival in Swabia

The word “festival” was originally used as an adjective from the late fourteenth century, deriving from Latin via Old French.[5] In Middle English, a “festival dai” was a religious holiday.[6] Its first recorded used as a noun was in 1589 (as “Festifall”).[5] Feast first came into usage as a noun circa 1200,[7] and its first recorded use as a verb was circa 1300.[8] The term “feast” is also used in common secular parlance as a synonym for any large or elaborate meal. When used as in the meaning of a festival, most often refers to a religious festival rather than a film or art festival. In the Philippines and many other former Spanish colonies, the Spanish word fiesta is used to denote a communal religious feast to honor a patron saint.[citation needed]


Many festivals have religious origins and entwine cultural and religious significance in traditional activities. The most important religious festivals such as Christmas, Rosh Hashanah, Diwali, and Eid al-Adha serve to mark out the year. Others, such as harvest festivals, celebrate seasonal change. Events of historical significance, such as important military victories or other nation-building events also provide the impetus for a festival. An early example is the festival established by Ancient Egyptian Pharaoh Ramesses III celebrating his victory over the Libyans.[9] In many countries, royal holidays commemorate dynastic events just as agricultural holidays are about harvests. Festivals are often commemorated annually.

There are numerous types of festivals in the world and most countries celebrate important events or traditions with traditional cultural events and activities. Most culminate in the consumption of specially prepared food (showing the connection to “feasting”) and they bring people together. Festivals are also strongly associated with national holidays. Lists of national festivals are published to make participation easier.[10]

Types of festivals

Religious festivals

Among many religions, a feast is a set of celebrations in honour of Gods or God.[11] A feast and a festival are historically interchangeable. Most religions have festivals that recur annually and some, such as Passover, Easter and Eid al-Adha are moveable feasts – that is, those that are determined either by lunar or agricultural cycles or the calendar in use at the time. The Sed festival, for example, celebrated the thirtieth year of an Egyptian pharaoh‘s rule and then every three (or four in one case) years after that.[12]

In the Christian liturgical calendar, there are two principal feasts, properly known as the Feast of the Nativity of our Lord (Christmas) and the Feast of the Resurrection, (Easter). In the Catholic, Eastern Orthodox, and Anglican liturgical calendars there are a great number of lesser feasts throughout the year commemorating saints, sacred events or doctrines. In the Philippines, each day of the year has at least one specific religious festival, either from Catholic, Islamic, or indigenous origins.[citation needed]

Buddhist religious festivals, such as Esala Perahera are held in Sri Lanka and Thailand.[13] Hindu festivals, such as Holi are very ancient. The Sikh community celebrates the Vaisakhi festival marking the new year and birth of the Khalsa.[14]

Religious festivals
Cleaning in preparation for Passover (c.1320)
Radha celebrating Holi, Kangra, India (c1788)
A Christmas mass at the Church of the Nativity, in Bethlehem, Palestine (1979)
Moors and Christian festival in Villena, Spain
Decoration of god Krishna on Krishnashtami in India.

Arts festivals

Among the many offspring of general arts festivals are also more specific types of festivals, including ones that showcase intellectual or creative achievement such as science festivals, literary festivals and music festivals.[15] Sub-categories include comedy festivals, rock festivals, jazz festivals and buskers festivals; poetry festivals,[16] theatre festivals, and storytelling festivals; and re-enactment festivals such as Renaissance fairs. In the Philippines, aside from numerous art festivals scattered throughout the year, February is known as national arts month, the culmination of all art festivals in the entire archipelago.[citation needed]

Film festivals involve the screenings of several different films, and are usually held annually. Some of the most significant film festivals include the Berlin International Film Festival, the Venice Film Festival and the Cannes Film Festival.

Arts festivals
Pushkin Poetry Festival, Russia
Television studio at the Hôtel Martinez during the Cannes Film Festival, France (2006)
The opening ceremony at the Woodstock rock festival, USA (1969)

Food and drink festivals

A food festival is an event celebrating food or drink. These often highlight the output of producers from a certain region. Some food festivals are focused on a particular item of food, such as the National Peanut Festival in the United States, or the Galway International Oyster Festival in Ireland. There are also specific beverage festivals, such as the famous Oktoberfest in Germany for . Many countries hold festivals to celebrate wine. One example is the global celebration of the arrival of Beaujolais nouveau, which involves shipping the new wine around the world for its release date on the third Thursday of November each year.[17][18] Both Beaujolais nouveau and the Japanese rice wine sake are associated with harvest time. In the Philippines, there are at least two hundred festivals dedicated to food and drinks.[citation needed]

Food and drink festivals
Soweto Wine Festival, South Africa (2009)
Holi Nepal (2011)
La Tomatina, Spain (2010)
horse cart from the Hofbräuhaus brewery at Oktoberfest Germany (2013)

Seasonal and harvest festivals

Seasonal festivals, such as Beltane, are determined by the solar and the lunar calendars and by the cycle of the seasons, especially because of its effect on food supply, as a result of which there is a wide range of ancient and modern harvest festivals. Ancient Egyptians relied upon the seasonal inundation caused by the Nile River, a form of irrigation, which provided fertile land for crops.[19] In the Alps, in autumn the return of the cattle from the mountain pastures to the stables in the valley is celebrated as Almabtrieb. A recognized winter festival, the Chinese New Year, is set by the lunar calendar, and celebrated from the day of the second new moon after the winter solstice. Dree Festival of the Apatanis living in Lower Subansiri District of Arunachal Pradesh is celebrated every year from July 4 to 7 by praying for a bumper crop harvest.[20]

Midsummer or St John’s Day, is an example of a seasonal festival, related to the feast day of a Christian saint as well as a celebration of the time of the summer solstice in the northern hemisphere, where it is particularly important in Sweden. Winter carnivals also provide the opportunity to utilise to celebrate creative or sporting activities requiring snow and ice. In the Philippines, each day of the year has at least one festival dedicated to harvesting of crops, fishes, crustaceans, milk, and other local goods.[citation needed]

Seasonal and harvest festivals
Temple Festival in India
Midsummer dance by Anders Zorn, Sweden (1897)
Tanabata summer festival in Sendai, Japan
Grand Parade at the Sydney Royal Easter Show, Australia (2009)
Halloween pumpkins show the close relationship between a harvest and religious festivals

Study of festivals

See also




  1. Robert Parker: Athenian Religion